When We Touched captures a moment suspended in memory—brief, charged, and irreversible. The painting holds no figures in full, yet the nearness is felt. Two forms, or perhaps two gestures, meet at a point that isn’t shown but is known. This is not about what was seen, but what stayed under the skin.
Rendered in oil on a 30×40 inch canvas, the composition uses layered reds, softened edges, and delicate tension between spaces to evoke closeness without clarity. The contact is suggested, not illustrated—leaving emotion to fill in what detail doesn’t. Color lingers across the surface like warmth left behind.
The brushwork is steady, understated. It lets the oil speak through weight and slowness, allowing depth to form gradually. There’s no grand movement—just a shared stillness where two forces met and neither stayed the same.
When We Touched invites quiet attention. It fits in spaces that don’t rush—personal corners, quiet studios, or interiors that value pause. It offers no fixed narrative, but holds room for one.
The canvas is gallery-wrapped and painted on all edges. Ready to hang. Custom sizes and tonal adjustments are available on request.
Some encounters leave no mark on the surface—but everything shifts underneath. This is one of those.
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